All The Little People

11/01/2004 — 11/19/2004


Set in a hot bar during the cold season, a perplexing carnival of misfit characters searches for each other and perpetually miss their mark.
 “You know. Things go wrong. Dreams fall apart. You wake up one morning, find yourself working a street-corner.”

Talent

Ben Curns (Composer)
Benjamin Curns just finished playing the First Gravedigger in Michael Burdick’s Hamlet adaptation, Gravediggers at the Producer’s Club. Other NYC credits include roles with the Blunt Theater Company, NYC Playwrights, and Theatre – Studio Inc. Regional credits include stints with Shenandoah Shakespeare, Hamsptead Players, and Cortland Repertory Theatre.

Tim Foley (Chemist)
No stranger to the off-off-Broadway theatrical scene, Tim Foley was most recently seen as the Husband in Brecht's The Informer (Variant Theatre Company) and Prince Hal in 1 Henry IV and 2 Henry IV (York Shakespeare Company). Other NYC credits include Hamlet (York Shakespeare), Petruchio (Genesis Repertory and Hudson Shakespeare Company), the Man in Collateral Damage (Sam French Festival) and the one man show Out of the Cradle Endlessly Rocking.

Emily Galvin (Whore)
Emily Galvin has just arrived in New York from Massachusetts, where she acted in more than 15 theater roles over the last 4 years, including Miss Julie in Miss Julie, Viola in Twelfth Night, and Filippo Strozzi in Lorenzaccio, as well as two films currently in postproduction.

Carrie Johnson (Bartender)
Carrie Johnson’s New York theatre credits include Bitch MacBeth, Antony and Cleopatra, Amazons in Chains, and Girls’ School Vampire, all with DMTheatrics. She was also seen in Dangerous Liaisons (Wilde Mule Productions), A Rehearsal at Versailles (Random Arts), and was part of the Ed Wood and the Ionesco Festivals. Her film credits include Macbeth and Mina Seward (Third Lows Productions), The Water Cooler (Year One Productions) and Bench Warmers (Bon Bon Productions), part of this year’s New York 48 Hour Film Festival.

Stephen Jutras (Midget)
Stephen Jutras has appeared on television as Yitzchak Katz in Golem and as Hedge in Mutants, both Scrips Howard/David Garrison Productions.

David Fehr (Waiter; Ray; Dr. Ball)
David Fehr is thrilled to be part of The Fall Collection. Recently he has played Tranio in the World Preimere of The Shrew Tamer (Northern Stage) and Guido in the New York Premiere of Oscar Wilde's A Florentine Tragedy (X.P.C.).

Nicholas Warren-Gray (Retard)
Nicholas Warren-Gray has been performing for sixteen years, the last ten in New York; progressing in stages from mime, to spoken word, contemporary and classical theater and now into film, as well. He is an avid character actor who excels at moulding and shaping new roles into vibrant studies of human life in both inspiration and decay. Whether boasting wide jests or wheting the curve of life's fickle blade, Nicholas is most vibrantly at home in the skin of those who see and live the ever-crossing lines of necessary comedy and inescapable tragedy. He will continue to pursue the ensnarement of life and fetter it to the visions of audiences for their enjoyment and enlightenment for as long as life continues to feed itself into his grasp. Currently in development: (Operation Ajax) The Butane Group, directed by Noel Salzman, and (The Iceman) by Mark Quinlin. Recent roles: Oedipus for the Neglected Works Series, directed by Rodney Hakim, Troll (Numerals) [original role] The Strawberry Festival, directed by Devin Burnam; Claire and Lefranc in Genet's (The Maids) and (Deathwatch) Egress Theatre Company; Tony Simpolini (Midnight) Invisible City Theatre Company Years Past: Rob (Force Part 1: Wanderlust) [original role], Don Fernando (Incidental, a part of The Don Quixote Project) [original role] Peculiar Works, Macheath (The Beggar's Opera) [original role], and Demetrius (Midsummer Night's Dream) for Aisling Arts, of which he is a proud member. Also, Kabe (One Flea Spare), Rolly (Escape From Happiness), Don John (Much Ado About Nothing), and other roles with the Adler Group; Nick (Who's Afraid of Virginia Woolf), Greg (Pick-Up Lines), and Brian (Trafficking in Broken Hearts) - which was lauded by the Off-Off Broadway (OOBR) Awards - for the illustrious company 4th Unity; other theatre credits as The Boy (Dr. Faustus Lights the Lights) with the Duende Theatre Company, an award winning participant in The Fringe Festival, and Jean (Miss Julie) with the John Hawke Theatre Group. Film credits include: Flower Stompin' Guy (Little Miss Bitter Heart), Cesar "One Shot" Leggio (The Hitman's Monolgue), John (John and June), Nick (Parrot Heart), Grigory (Concrete Under), and Demagogue (Hard Fisted Love Gun). Nicholas is a BFA graduate of the Tisch School of the Arts at NYU, and carries a certificate in Shakespeare Studies from the Royal Academy of Dramatic Arts in London.

Jill Yablon (Twin)
Jill Yablon has acted in over 30 productions in and around Manhattan. Appeared Off-Broadway as Dori in Grandma Sylvia’s Funeral at the Soho Playhouse. Other venues include Ensemble Studio Theatre, All Seasons Theatre Group, Yorkville Rep., Ohio Theatre, and La Mama, among others. In her most recent film project, she plays the leading role of Lena Crosetti in the soon to be released film Lower Than the Angels. Other film credits include Charlie Primitave, Bookie’s Lament, Fashion Fiction (Comedy Central) and A Gun for Jennifer; Television: Guiding Light, Law & Order, and A Native of Beijing in NY. She is a guest acting teacher for Starfish TheatreWorks. Directed Striking A Chord, an evening of one-act plays at Lincoln Center last spring. Writing credits include two one-act plays, Four Questions and Where’s The Party, produced by Ensemble Studio Theatre during its Octoberfest series.


Creatives

Paul Cohen (Playwright)
Paul Cohen is a native New Yorker and product of its public school system. His plays have been produced at the John Houseman Theatre Center, Producer's Club Grand Theatre, The Riant Theatre's Strawberry One-act Play Festival, and the Soho Theatre, London.

Devin Burnam (Director)
Devin Burnam received his BA in English Literature from Columbia University. While an undergraduate, he was a founding member of the King’s Crown Shakespeare Troupe, an independent undergraduate troupe which staged one Shakespeare production each spring in an interactive, outdoor setting, and one modern play in a traditional theater each fall. After graduation he worked with the Atlantic Theater Company under the direction of Paul Urcioli and Robert Bella. He is the founder of last_minute_theatre and the Blackwater Drama Shop. His theatre directing credits include The Homeaway, Seeing Double, and Suicide Sundays, as well as the short films Medicine Man, 4 Dolls, and The Ghost of Peacock Jones. He has worked with the Combustive Motor Corp. in Brooklyn on productions of Michael Stumm’s How to Act and the Mardi Gras inspired performance troupe BINGO’s live music and video installations. While studying viewpoints and Suzuki at the Saratoga International Theatre Institute, he was invited by Anne Bogart to participate in her Collaboration Class in the MFA Program at Columbia. He is currently the Director of Theater and Spoken Word at the Asterisk Young Artist’s Project in Williamsburg and is in pre-production for the feature length version of The Ghost of Peacock Jones, which he is producing and directing.

Carolyn Pallister (Costume Designer)

Tom Johnson (Sound Design)

James Bedell (Light Design)
http://web.mac.com/jamesbedell

Scott Loane (Dramaturgy)

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